劇情：
TakeOne：終極一曲是由未知執(zhí)導(dǎo)，鄭智薰 曹秀美 任宰范 柳熙烈 樸正炫 AKMU MAMAMOO 主演的一部歐美綜藝。主要講述了：Imagine you had one shot to give the performance of a lifetime Renowned artists take center stageImagine you had one shot to give the performance of a lifetime Renowned artists take center stage live With a song of their choice Witness dreams come true All in a single take Take 1 | October 14, only on Netflix
《TakeOne：終極一曲》相關(guān)評(píng)論
小熊軟糖掉了.
This is how you do meta-narrative: If all stories are make-believe, then what is important becomes not to condescendingly and cynically discern and reject the structured patterns, but to unite in a community of beliefs, and the story is thus transformed into therapy for trauma and catalyst to action. At the end of the day, Shyamalan is someone who firmly believes in the power of visual storytelling and the autonomy of stories, which makes him one of the few truly original filmmakers in Hollywood.
馬尾君
作為政治小白，剛開始看片我就問某人敘利亞到底是個(gè)啥情況，而一向扯起天下大勢(shì)來滔滔不絕的他也表示太亂了說不清楚。所以看到很多評(píng)論說本片立場(chǎng)有多么偏頗，我完全不了解，我只知道，那些滿身是血受傷死去的孩子是無辜的，那些每日徘徊在生死邊緣卻仍要放煙花慶祝新年、打趣說這是“轟炸肥皂劇”的人們所表現(xiàn)出的頑強(qiáng)生命力是足可感嘆的，尤其看到那個(gè)以為已經(jīng)死去的初生嬰兒終于睜開眼睛發(fā)出啼聲時(shí)，我是激動(dòng)且感動(dòng)的。立場(chǎng)可以預(yù)設(shè)選擇，真相也可以通過剪輯扭曲篡改，但至少，這些血淋淋滿目瘡痍的畫面不是偽造的。由于是從私人化生活化的視角拍攝，本片比《終守阿勒波》更為真切更具感染力。戰(zhàn)爭(zhēng)沒有勝利者，絕大多數(shù)都是受害者。
元?dú)饷刻?/h4>
編劇想向大家傳達(dá)：1.大晚上沒事別亂逛2.好奇心別太旺盛，別管別人閑事3.對(duì)一個(gè)女的說她丑或者鄙視丑女你就死定了。
